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The music of Cipriano De Rore

Descendi in hortum meum


A. Type: Motet
B. Number of voices: 8vv
C. Author of the text: Horatius, Quintus Flaccus
Ct. Text: : Read


E. To be found in the following score sources:

following: CMME Project(The) - Dumitrescu (e.a.), Theodor :
- {Census} - ParisBNC 851 ("Bourdeney Manuscript") : '{Census} - ParisBNC 851 ("Bourdeney Manuscript")'

following: Collins Judd, Cristle (2000) :
- 1560, circa ) (source: OwensM) : {Census} - ModE C.314 : '{Census} - ModE C.314'

following: Meier, Bernardus (1975) :
- 1559 : BSB Mus.ms. B(1 (1559) : 'BSB Mus.ms. B(1 (1559)'


F. Modern score:

See 'Meier, Bernardus : Cipriani Rore Opera Omnia, Vol VI : Motets' : p.1

  • Contents of this volume of Meier
  • American Institute of Musicology : Uitgave De Rore (B. Meier)


    I. Incipit: M_6_1.jpg Source: 'Meier, Bernardus : Cipriani Rore Opera Omnia', American Institute of Musicology


    J. Discography:

    1 - ' Cipriano de Rore : Missa Praeter Rerum Seriem (Tallis Scholars, 1994) , The Tallis Scholars, Peter Philips (Gimell)
    2 - ' Cipriano de Rore : Missa Praeter Rerum Seriem (The Tallis Scholars, 2001) , The Tallis Scholars, Peter Philips (Gimell)
    3 - ' Cipriano de Rore : Motets Sacres et Profanes (Weser Renaissance) , Weser Renaissance, Manfred Cordes (CPO)
    4 - ' Essential Tallis Scholars (The) ' : [also on CD : Cipriano de Rore : Missa Praeter Rerum Seriem (Tallis Scholars, 1994)] , The Tallis Scholars, Peter Philips (Gimell)
    5 - ' Sacred and Profane Love , King Solomon's Singers (Eigen beheer (?))
    6 - ' Tallis Scholars 25th Anniversary ' : [Original edition on CD : Cipriano de Rore : Missa Praeter Rerum Seriem (Tallis Scholars, 1994)] , The Tallis Scholars, Peter Philips (Gimell)


    L. References:

    References with citation/remark:

    1 : Owens, Jessie Ann, Cipriano De Rore (The New Grove) (, 2001)
    in : Grove Dictionary of Music and Musicians, The New -, (NG), Second Edition (published in twenty-nine volumes in the year 2001), Edited by Stanley Sadie, Executive Editor John Tyrell, (2001) : 'As in his madrigals, de Rore’s preferred ensemble was for five voices, the majority of which employ low clefs or low equal voices. The six- and seven-voice pieces are the special, large-scale antiphon settings employing two or three voices in canon that frame the Munich manuscript: Descendi at the beginning, Hodie Christus natus es, Ave regina caelorum, and Quem vidistis at the end.'


    Page last updated : 12/04/2016 16:14:10
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