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The music of Cipriano De Rore

Expectans expectavi - Et immisit in os meum


A. Type: Motet
B. Number of voices: 5vv
Ct. Text: : Read


E. To be found in the following score sources:

following: _Onderzoek van de bron (internet) door Arnold Loose en/of Wim Daeleman (2016) :
- 1560 : BSB Mus.ms. 20 (1560) : 'BSB Mus.ms. 20 (1560)'

following: CMME Project(The) - Dumitrescu (e.a.), Theodor :
- {Census} - ParisBNC 851 ("Bourdeney Manuscript") : '{Census} - ParisBNC 851 ("Bourdeney Manuscript")'

following: Meier, Bernardus (1975) :
- 1595 : {RISM} - R2478 (1595) : 'Cipriani de Rore Sacrae Cantiones quae dicuntur moteca, cum quinque, sex et septem vocibus, quae partim nunquam antea impressae, & partim iam in alijs libris ditae, nunc nuperrime ad unum redactae.'


F. Modern score:

See 'Meier, Bernardus : Cipriani Rore Opera Omnia, Vol VI : Motets' : p.158

  • Contents of this volume of Meier
  • American Institute of Musicology : Uitgave De Rore (B. Meier)


    I. Incipit: M_6_158.jpg Source: 'Meier, Bernardus : Cipriani Rore Opera Omnia', American Institute of Musicology


    L. References:

    References with citation/remark:

    1 : Meier, Bernardus, Cipriani Rore Opera Omnia, Vol VI : Motets (American Institute of Musicology (AIM), 1975)
    - p.158, voetnoot : 'Addition in PaBour, p. 70: "De la Valise del Duca Ottavio" (i.e. Ottavio Farnese, Duke of Parma)'.

    2 : Owens, Jessie Ann, Cipriano De Rore (The New Grove) (, 2001)
    in : Grove Dictionary of Music and Musicians, The New -, (NG), Second Edition (published in twenty-nine volumes in the year 2001), Edited by Stanley Sadie, Executive Editor John Tyrell, (2001) : 'During his decade in Ferrara de Rore’s reputation became European in scope. He composed music for the elite of Europe: Charles V; Lamoral, Count of Egmont; Cardinal Antoine Perrenot de Granvelle; Wolfgang Engelbert I von Auersperg; and Albrecht V, Duke of Bavaria, to whom, in January 1559 he sent a New Year’s gift, described as a psalm. This may have been Beati omnes (Lowinsky), Donec gratus eram tibi (Owens, 1978), or Exspectans exspectavi (preserved in D-Mbs 20). '

    3 : Abraham, Gerald, The New Oxford History of Music, IV, The age of humanism; 1540-1630 (Oxford University Press, London, New York, Toronto, 1968)
    - p.292 : met muziekvoorbeeld op p.292 (ex.108)

    References without citation:

    4 : Meier, Bernardus, Cipriani Rore Opera Omnia, Vol VI : Motets (American Institute of Musicology (AIM), 1975)
    - p.XII


    Page last updated : 19/05/2016 12:16:11
    My code : #6313 (M_6_158)