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Owens, Jessie Ann

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  • Owens, Jessie Ann (2004) : A Collaborarion between Cipriano de Rore and Baldissera Donato?, in : Crist, Stephen A. - Marvin, Roberta Montemorra : Historical Musicology: Sources, Methods, Interpretations, (2004)
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  • Owens, Jessie Ann (2004) : A Collaboration between Cipriano de Rore and Baldissera Donato?, in : Historical Musicology : Historical Musicology: Sources, Interpretations, edited by Stephen A. Crist and Roberta Montemorra Marvin (= Eastman Studies in Music 28), (2004), 9–39 (2004)

  • Owens, Jessie Ann (1979) : An Illuminated Manuscript of Motets of Cipriano De Rore (München, Baierische Statsbibliothek, Mus. Ms. B) - Phil. D. diss. (Princeton University Press)
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  • Owens, Jessie Ann (2001) : Cipriano De Rore (The New Grove), in : Grove Dictionary of Music and Musicians, The New -, (NG), Second Edition (published in twenty-nine volumes in the year 2001), Edited by Stanley Sadie, Executive Editor John Tyrell, (2001)
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  • Owens, Jessie Ann (1976) : Cipriano de Rore a Parma (1560-1565). Nuovi documenti., in : Rivista Italiana di Musicologia (RIM / RIDM), IX (1976), pp. 5-26
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  • Owens, Jessie Ann (2016) : Cipriano de Rore at 500, in : Symposium : Il Divino Cipriano: New Perspectives on the Music of Cipriano De Rore - Symposium, 13-14 january 2016, UC Davis (CA, USA), (2016)
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  • Owens, Jessie Ann (1985, April) : Cipriano de Rore: Founder of the Seconda Prattica. Paper read at the New England Chapter of the American Musicological Society.
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  • Owens, Jessie Ann (2014) : Cipriano de Rore's 'Dissimulare etiam sperasti' and the Invention of the Female Voice., in : Symposium : Cipriano De Rore at the Crossroads - München, Orff-Zentrum und Bayerische Staatsbibliothek (20.-21. März 2014): Programma en abstracts., (2014)
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  • Owens, Jessie Ann (2004) : Cipriano de Rore's New Year's Gift for Albrecht V: a New Interpretation, in : Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext. Bericht über das internationale Symposium der Musikhistorischen Kommission der Bayerischen Akademie der Wissenschaften in Verbindung mit der Gesellschaft für Bayerische Musikg ..., 2004, 30 p. (2004, August 2-4)
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  • Owens, Jessie Ann (2009) : Cipriano de Rore's Setting of Dido's Lament: The Beginning of the seconda pratica
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  • Owens, Jessie Ann (1997) : Composers at Work - The Craft of Musical Composition (1450-1600), ISBN: 0-19-509577-4 (Oxford University Press, New York)
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  • Owens, Jessie Ann (1997) : How Josquin Became Josquin: Reflections on Historiography and Reception, in : Owens, Jessie Ann - Cummings, Anthony M. : Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, 271–9 (1997)
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  • Owens, Jessie Ann (1986) : Milan, Biblioteca del Conservatorio di Musica Giuseppe Verdi: the Tarasconi Codex, in : Renaissance Music in Facsimile, XI (1986)
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  • Owens, Jessie Ann (1990) : Mode in the Madrigals of Cipriano de Rore., in : Charteris, Richard : Altro Polo, Essays on Italian Music in the Cinquecento, p. 1-16 (1989)
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  • Owens, Jessie Ann (1983) : Music and Meaning in Cipriano De Rore's Setting of 'Donec gratus eram tibi', in : Music and Language - Studies in the History of Music., I, 95-117. (New York)
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  • Owens, Jessie Ann (2016) : Orlando di Lasso’s Reading of Cipriano de Rore’s Scarco di doglia, in : Symposium : Il Divino Cipriano: New Perspectives on the Music of Cipriano De Rore - Symposium, 13-14 january 2016, UC Davis (CA, USA), (2016)
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  • Owens, Jessie Ann (2016) : Report on the UCHRI-funded project to catalogue arrangements and reworkings of Cipriano’s music
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  • Owens, Jessie Ann (1984) : The Milan Partbooks : Evidence of Cipriano de Rore's Compositional Process, in : Journal of the American Musicological Society (JAMS), 37 (1984), p. 270-298
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  • Owens, Jessie Ann (1978) : The significance of Mus. Ms. B as source for the motets of Cipriano De Rore - Paper read at the American Musicoloy Convention (Minneapolis, October 20, 1978)
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