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La musique de Cipriano De Rore

Quem vidistis pastores


A. Type: Motet
B. Nombre de voix: 7vv
Ct. Texte: : Lire


E. Se trouve dans les sources de partitions suivantes:

suivant: Collins Judd, Cristle (2000) :
- 1560, circa ) (source: OwensM) : {Census} - ModE C.314 : '{Census} - ModE C.314'

suivant: Meier, Bernardus (1975) :
- 1559 : BSB Mus.ms. B(1 (1559) : 'BSB Mus.ms. B(1 (1559)'


F. Partition moderne:

See 'Meier, Bernardus : Cipriani Rore Opera Omnia, Vol VI : Motets' : p.100

  • Contenu de cette volume de Meier
  • American Institute of Musicology : Uitgave De Rore (B. Meier)


    I. Incipit: M_6_100.jpg Source: 'Meier, Bernardus : Cipriani Rore Opera Omnia', American Institute of Musicology


    J. Discographie:

    1 - ' Angelus - Ave Maria , Paul Walker, Zephyrus (Virginia Arts Recordings)
    2 - ' Christmas in the Netherlands , The Manhattan Choral Ensemble (-)
    3 - ' Christmas with the Choral Singers of King's College, Cambridge , Choral Singers of King's College, Cambridge (Quilisma)
    4 - ' Cipriano de Rore : Motets Sacres et Profanes (Weser Renaissance) , Weser Renaissance, Manfred Cordes (CPO)
    5 - ' Creator of the Stars - Noel au Moyen Age et Renaissance , Pomerium, Alexander Blachly (Archiv Produktion)
    6 - ' Ö1 Klassiker Vol. 36: Musica sacra (Pomerium) ' : [Edition originale sur CD : Creator of the Stars - Noel au Moyen Age et Renaissance] , Pomerium, Alexander Blachly, Gabrieli Consort & Players, Paul Mc Creesh (ORF)


    L. Références:

    Références avec citation/commentaire:

    1 : Owens, Jessie Ann, Cipriano De Rore (The New Grove) (, 2001)
    in : Grove Dictionary of Music and Musicians, The New -, (NG), Second Edition (published in twenty-nine volumes in the year 2001), Edited by Stanley Sadie, Executive Editor John Tyrell, (2001) : 'As in his madrigals, de Rore’s preferred ensemble was for five voices, the majority of which employ low clefs or low equal voices. The six- and seven-voice pieces are the special, large-scale antiphon settings employing two or three voices in canon that frame the Munich manuscript: Descendi at the beginning, Hodie Christus natus es, Ave regina caelorum, and Quem vidistis at the end.'


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    Mon code : #6321 (M_6_100)