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La musique de Cipriano De Rore

Missa ‘Doulce mémoire'


A. Type: Mis
B. Nombre de voix: 5vv


E. Se trouve dans les sources de partitions suivantes:

suivant: Lewis, Mary S. (2005) :
- 1566 : {Lewis_3} - 378 : '[CANTVS] (ALTVS, [TENOR], BASSVS, QVINTVS, [SEXTVS?]) | LIBER MISSARVM QVATVOR | CVM QVINQVE | ET | SEX VOCVM | CIPRIANI de Rore, Doulce memoyre A 5 | ANNIBALIS Patauini Oue ch'i posi A 5 | ANNIBALIS Patavini? Vt queant laxis A 6 | ORLANDI Lassi In te domine speraui A 6 | LIBER [pr mk] PRIMVS | Venetijs apud Antonium Gardanum. | 1566'

suivant: Meier, Bernardus (1966) :
- 1549 (before - (source: ClemensO); 1560-1570 (source: BorI) : {Census} - BrusC 27087 : '{Census} - BrusC 27087'
- 1566 : {RISM} - 1566_01 : 'Liber missarum quatuor cum quinque et sex vocum Cipriani de Rore, Doulce memoyre a 5, Annibalis Patavini, Ove ch'i posi a 5, Annibalis Patavini, Ut queant laxis a 6, Orlandi Lassi In te domine speravi a 6. Liber Primus.'


F. Partition moderne:

See 'Meier, Bernardus : Cipriani Rore Opera Omnia, Vol VII : Missae' : p.122

  • Contenu de cette volume de Meier
  • American Institute of Musicology : Uitgave De Rore (B. Meier)


    H. Contient les parties:

  • Missa ‘Doulce mémoire' : 1 Kyrie, 5vv (Misdeel) - [2, 0 Refs., , +Tne]
  • Missa ‘Doulce mémoire' : 2 Gloria, 5vv (Misdeel) - [1, 0 Refs., , +Tnfe]
  • Missa ‘Doulce mémoire' : 3 Credo, 5vv (Misdeel) - [1, 0 Refs., , +Tnfe]
  • Missa ‘Doulce mémoire' : 4 Sanctus, (Misdeel) - [1, 0 Refs., , +Tne]
  • Missa ‘Doulce mémoire' : 5 Agnus Dei, (Misdeel) - [1, 0 Refs., , +Tne]

  • J. Discographie:

    1 - ' Cipriano de Rore : Missa Doulce mémoire & Missa a note negre (The Brabant Ensemble) , The Brabant Ensemble, Stephen Rice (Hyperion)


    L. Références:

    Références avec citation/commentaire:

    1 : Owens, Jessie Ann, Cipriano De Rore (The New Grove) (, 2001)
    in : Grove Dictionary of Music and Musicians, The New -, (NG), Second Edition (published in twenty-nine volumes in the year 2001), Edited by Stanley Sadie, Executive Editor John Tyrell, (2001) : 'De Rore’s other two masses are both written in the transparent chordal style typical of his late music and probably date from the late 1550s or later. Both are five-voice imitation masses based on chansons: Missa a note negre, based on de Rore’s own chanson Tout ce qu’on peut en elle voir (published in 1557); and Missa Doulce memoire, based on the popular (and frequently reworked) chanson by Pierre Sandrin. [. . .] Archduke Ferdinand II of Tirol commissioned a mass from de Rore in November 1564. From the letters of the Venetian Francesco della Torre, who served as intermediary, we learn of the progress of the composition. By 20 January 1565 the Kyrie and Gloria had been composed and performed for a private audience, and de Rore reported that the mass was almost finished, and on 7 April della Torre reported that the mass was ready to be sent. The most likely candidate among de Rore’s surviving masses is Missa Doulce memoire.'

    Références sans citation:

    2 : Dobbins, Frank, “Doulce Memoire” – a Study of the Parody Chanson (, 1969–70)
    in : Proceedings of the Royal Musical Association (PRMA), XCVI (1969–70), 85–101

    3 : Abraham, Gerald, The New Oxford History of Music, IV, The age of humanism; 1540-1630 (Oxford University Press, London, New York, Toronto, 1968)
    - p.288, 291


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