Version imprimante

La musique de Cipriano De Rore

Madrigaalboek 3 voor 5 stemmen


A. Type: Madrigaalboek
B. Nombre de voix: 5vv


Publication(s)/Manuscrit(s):
{Lewis_3} - 322 : Di Cipriano de Rore il terzo libro di madregali a cinque voci. In Venetia appresso di Antonio Gardano. 1563., 1563
{RISM} - 1548_09 : Di Cipriano Rore et di altri eccellentissimi musici il terzo libro di madrigali a cinque voce novamente da lui composti et non più messi in luce. Con diligentia stampati. Musica nova & rara come a quelli che la canteranno & ud ..., 1548 (#W:14)
{RISM} - 1548_10 : Musica di Cipriano Rore sopra le stanze del Petrarcha in laude della Madonna, e cinque madrigali di due parte l'uno non piu veduti, ne stampati, con alcuni madrigali di M. Adriano. Libro terzo., 1548 (#W:19)
{RISM} - 1552_25 : Di Cipriano il terzo libro de madrigali a cinque voci dove si contengono le Vergine, et altri madrigali novamente con ogni diligentia ristampato., 1552
{RISM} - 1560_21 : Di Cipriano Rore il terzo libro di madregali dove si contengono le Vergini, et altri madrigali novamente con ogni diligentia ristampato. A cinque voci., 1560
{RISM} - 1566_16 : Di Cipriano Rore il terzo libro di madrigali dove si contengono le Vergini et altri madrigali novamente con ogni diligentia ristampato a cinque voci., 1566
{RISM} - 1593_06 : Di Cipriano de Rore il terzo libro di madrigali a cinque voci, dove si contengono le vergine, et altri madrigali. Novamente ristampato., 1593
{RISM} - R2491 (1557) : Il terzo libro de madrigali a cinque voci . . . Di nuovo con ogni diligenzia riveduti, et ristampati con l'aggiunta di alcuni altri mdrigali., 1557
{RISM} - R2493 (1562) : Il terzo libro de madrigali a cinque voci . . . novamente ristampati, & con ogni diligentia coretti., 1562


L. Références:

Références avec citation/commentaire:

1 : Einstein, Alfred, The Italian Madrigal (vertaald naar het Engels door Alexander H. Krappe, Roger H. Sessions en Oliver Strunk) (Princeton University Press, New Jersey, 1949)
- p.402 : 'Rore's third book (1548) was announced by the publishers with special solemnity. Scotto, the original publisher, draws attention to its absolute novelty ("novamente da lui composti et non piu posti in luce") and praises the contents as musica nova e rara, come a quelli che la canteranno et udiranno sara palese, as "new and unusual music, as will be seen by those who sing and hear it". Gardano, presumably trailing only a few months behind his competitor Scotto, boasts at least of having added five hitherto unpublished bipartite madrigals which he has torn from their author, and in the title he names the chief glory of the collection: the Musica di Cipriano Rore sopra le stanze del Petrarcha in laude della Madonna, the famous Vergini, the great canzone in praise of Our Lady, the concluding piece of Petrarch's Canzoniere in morte di Madonna Laura.
It is one of the greatest cyclical compositions of the sixteenth century, and Rore is the first to risk setting so comprehensive a series - eleven stanzas. (Originally, in 1548, there were only six; he adds the last five only in the print of 1552.) . [. . .] There can be no doubt about the purpose of the work. It was sung as a pious edification during Holy Week by devout singers and to devout listeners no more likely to complain about its length than the congregation at St. Thomas, in Leipzig, was likely to complain in 1730 about the length of the Passion according to St. Matthew. [. . .]
Nor is this the only respect in which the third book pays homage to Petrarch: there are also eight great sonnets, seven of them bipartite; in one case, the sonnet Lasso che mal accorto, Rore has set only the two quatrains. All are serious in content, and one of them, S'onest'amor, may be considered a sonetto spirituale. With a single exception, the madrigal A che con nuovo the rest of the book consists entirely of sonnets.'

2 : Einstein, Alfred, The Italian Madrigal (vertaald naar het Engels door Alexander H. Krappe, Roger H. Sessions en Oliver Strunk) (Princeton University Press, New Jersey, 1949)
- p.403 : '. . . in its respect for the diatonic modal prity, this whole third book is if anything stricter than the first and second.'

3 : Einstein, Alfred, The Italian Madrigal (vertaald naar het Engels door Alexander H. Krappe, Roger H. Sessions en Oliver Strunk) (Princeton University Press, New Jersey, 1949)
- p.390 : 'We have five books of Rore's five-voiced madrigals, of which the fifth was apparently not published by the composer himself: 1542, 1544, 1548, 1557, and 1566. All were frequently reprinted, though with considerable change in contents in the later editions - so much so that Scotto's and Gardano's two editions of the fourth book must be considered different publications. The first book is the only one to contain madrigals by Rore exclusively; in the later ones he is grouped with Willaert, Donato, Nasco, Innocentio Alberti, Pietro Taglia, Sandrino (presumably the young Alessandro Striggio), Francesco Portinaro, Palestrina, and A. Gabrieli, whether for personal reasons or with a view to the publishers' interests we do not know.'

Références sans citation:

4 : Feldman, Martha, City Culture and the Madrigal at Venice (University of California Press, Berkeley, Los Angeles, London, 1995) , ISBN: 0-520-08314-8
- p.60-61, 222, 261, 282, 311, 341, 384, 392 n.78

5 : Swigchem, Lineke (Van), Io canterei d'amor si novamente: de madrigalen van Cipriano De Rore (, Doctoraalscriptie, Universiteit van Amsterdam, 1993)
- p.101-121

6 : Nuernberger, L. Dean, The Five-Voiced Madrigals of Cipriano de Rore. (University of Michigan, 1963)

7 : Schiltz, Katelijne, Vulgare Orecchie - Purgate Orecchie - De relatie tussen publiek en muziek in het Venetiaanse motetoeuvre van Adriaan Willaert (Universitaire Pers, Leuven, Leuven, 1993) , ISBN: 90 5867 328 6
- p.64 voetnoot 71


Page (re)travaillée la dernière fois : 9/02/2016 15:25:09
Mon code : #6847 (X_Ma_3_5)