La musique de Cipriano De Rore

Madrigaalboek 1 voor 4 stemmen

A. Type: Madrigaalboek
B. Nombre de voix: 4vv

Publication(s)/Manuscrit(s):
{RISM} - R2500 (1550) : Il primo libro de madrigali a quatro voci., 1550 (#W:18)

L. Références:

Références avec citation/commentaire:

1 : Owens, Jessie Ann, Mode in the Madrigals of Cipriano de Rore. (, 1990)
in : Charteris, Richard : Altro Polo, Essays on Italian Music in the Cinquecento, p. 1-16 (1989)
- p.3-5 : Table 2 : Modal organization of Il Primo Libro de Madrigali (4vv.) (Ferrara, 1550).

2 : Einstein, Alfred, The Italian Madrigal (vertaald naar het Engels door Alexander H. Krappe, Roger H. Sessions en Oliver Strunk) (Princeton University Press, New Jersey, 1949)
- p.403 : 'Rore's voluminous production of five-voiced madrigals is set off by his more modest production of four-voiced ones, of which the first book was published in Ferrara in 1550, two years after the appearance of the third book for five voices. It is clear that we are dealing in this first book with a collection of pieces written during the preceding eight to ten years. Six of them were printed as early as 1548 in Scotto's Madrigali della Fama, and of these six, one - the most famous of all, Ancor che col partire - had already been printed in 1547 in Perissone Cambio's Primo libro di madrigali a quatro voci. The effect of this book upon contemporaries was not less great than that of the first book for five voices. We know of sixteen editions, and in 1577, together with the second book, Gardano did it the rare honor of an edition in score (without the texts) "per qualunque studioso di contrapunt!" - "for every student of counterpoint."'

3 : Einstein, Alfred, The Italian Madrigal (vertaald naar het Engels door Alexander H. Krappe, Roger H. Sessions en Oliver Strunk) (Princeton University Press, New Jersey, 1949)
- p.390 : 'The five books for five voices are set of by three for four; the first appeared in 1550, the second - which Rore shares with Palestrina - in 1557. In another book of four-part madrigals, published in 1561, Rore is grouped with Annibale Padovano and other masters and figures on the title-pages chiefly for commercial reasons, since with his three pieces he stands quantitatively well in the background. (Gardano once calls this collection libro quinto, evidently considering it Rore's fifth publication.) The third book for four voices consists of the posthumous Vive fiamme published by Giulio Bonagionta in the year of Rore's death, which contains one of his greatest master-works, the "partenza" Quest' affannato mio doglioso core.'

Références sans citation:

4 : Swigchem, Lineke (Van), Io canterei d'amor si novamente: de madrigalen van Cipriano De Rore (, Doctoraalscriptie, Universiteit van Amsterdam, 1993)
- p.122-138

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