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Bibliografie

Schiltz, Katelijne : Rore, Rorus, Cipriano, Ciprianus, de (MGG)

in : Die Musik in Geschichte und Gegenwart (MGG) - Algemeine Enzyklopädie der Musik begründet on Friedrich Blume - Zweite, neubearbeitet Ausgabe herausgegeben von Ludwig Finscher, Personenteil 14, p.369-380 (1999–2007, MGG)



Deze bron is volledig gewijd aan De Rore.

Refereert :

References :

- Acciai, Giovanni (1986) : La canzone alla vergine del Petrarca nell'interpretazione madrigalistica di Cipriano de Rore e Giovanni Pierluigi da Palestrina, in : Studi palestriniana, II: Palestrina 1986, 165–74 (
Acciai, Giovanni (1986))
- Agee, Richard (1983) : Ruberto Strozzi and the Early Madrigal, in : Journal of the American Musicological Society (JAMS), Vol. 36, 1983, 1-17 (Agee, Richard (1983))
- Agee, Richard (1983) : The Venetian Privilege and Music-Printing in the Sixteenth Century, in : Early Music History (EMH), III, 1983, 1-43 (Agee, Richard (1983))
- Agee, Richard (1998) : The Gardano Music Printing Firms, 1569-1611, ISBN: 1-58046-020-8 (University of Rochester Press, Rochester (NY, USA) en Woodbridge (Suffolk, UK)) (Agee, Richard (1998))
- Bartoli, R (1990 (1991?)) : L'apprendistato italiano di Orlando di Lasso, in : Studi musicali, XX, 1990 (1991?), 235-265 (Bartoli, R (1990 (1991?)))
- Beck, Hermann (1969) : Grundlagen des venezianischen Stils bei Adrian Willaert und Cyprian de Rore., in : Robijns, Josef : Renaissance-muziek 1400-1600. Donum natalicium René Bernard Lenaerts. (met medewerking van Willem Elders, Roelof Lagas en Guido Persoons), p.39-50 (1969) (Beck, Hermann (1969))
- Bergquist, Peter: A Tribute from Johannes Eccard to Orlando di Lasso at Concordia Seminary, St. Louis, in : Notes - Quarterly Journal of the Music Library Association, 60, 2004, 603-612 (Bergquist, Peter)
- Bernstein, Jane A. (1991) : Financial Arrangements and the Role of Printer and Composer in Sixteenth-Century Italian Music Printing, in : Acta Musicologica (AcM), Vol 63, nr 1 (1991): 39-56 (Bernstein, Jane A. (1991))
- Bernstein, Jane A. (1998) : Music Printing in Renaissance Venice - The Scotto Press (1539-1572), ISBN: 0-19-510231-2 (Oxford University Press, New York, Oxford) (Bernstein, Jane A. (1998))
- Blackburn, Bonnie J. (1987) : Music for Treviso Cathedral in the Late Sixteenth Century: a Reconstruction of the Lost Manuscripts 29 and 30, ISBN: 0947854029, ISBN-13: 978-0947854027 (Royal Musical Association, Londen) (Blackburn, Bonnie J. (1987))
- Borgerding, Todd (2002) : Gender, Sexuality, and Early Music, ISBN: 0815333943, ISBN-13: 978-0815333944 (Routledge) (Borgerding, Todd (2002))
- Bossuyt, Ignace (1998) : O socii durate: a Musical Correspondence from the Time of Philip II, in : Early Music (EM), XXVI (1998), 432–44 (Bossuyt, Ignace (1998))
- Bridgman, Nanie - Lesure, François (1958) : Une anthologie “historique” de la fin du XVIe-siècle: le Manuscrit Bourdeney, in : Miscelánea en homenaje a Monseñor Higinio Anglés, I (Barcelona, 1958), 161–174 (Bridgman, Nanie - Lesure, François (1958))
- Bujic, Bojan (1999) : Cinquecento Madrigalists as Readers of Poetry, in : Fs. K.Kos, hrsg. von Z.Blazekovic/V. Katalinic, Zagreb 1999 (= Muzikoloski Zbornici 6), 13-25 (Bujic, Bojan (1999))
- Burford, M.J. (1999) : Cipriano de Rore's Canonic Madrigals, in : The Journal of Musicology (JofM), October 1999, Vol. 17, No. 4, Pages 459–497 (Burford, M.J. (1999))
- Caffi, Francesco (1854-55 (herdruk: 1982)) : Storia della musica sacra, nella già capella ducale di San Marco in Venezia dal 1318 al 1797., ISBN: 3487071746, ISBN-13: 978-3487071749 (Venetië) (Caffi, Francesco (1854-55 (herdruk: 1982)))
- Cambier, Albert (1981) : De grootste roem van de stad Ronse : De komponist Cypriaan De Ro(de)re, "omnium musicorum princeps., in : Annalen van de Geschied- en Oudheidkundige Kring van Ronse en het Tenement van Inde, XXX (1981), p. 5–56 (Ronse) (Cambier, Albert (1981))
- Cambier, Albert (1982) : Meer gegevens over de ronse komponist Cypriaan De Rore., in : Annalen van de Geschied- en Oudheidkundige Kring van Ronse en het Tenement van Inde, XXXI (1982), p. 91-95 (Ronse) (Cambier, Albert (1982))
- Cambier, Albert (1983) : De definitieve bevestiging van Cypriaan De Rore's ronsische afkomst uit archiefstukken te Parma en te Ronse: een nieuwe en definitieve oplossing in verband met zijn genealogie., in : Annalen van de Geschied- en Oudheidkundige Kring van Ronse en het Tenement van Inde, XXXII (1983), p. 221–249 (Ronse) (Cambier, Albert (1983))
- Cambier, Albert (1984) : Onderzoekingen over Cypriaan De Rore's vroegste verblijf in Italië., in : Annalen van de Geschied- en Oudheidkundige Kring van Ronse en het Tenement van Inde, XXXIII (1984), p. 35–46 (Ronse) (Cambier, Albert (1984))
- Cambier, Albert (1985) : Een huldedicht voor Cypriaan De Rore uit 1576 en een proeve van discografie., in : Annalen van de Geschied- en Oudheidkundige Kring van Ronse en het Tenement van Inde, XXXIV (1985), p. 43-46 (Ronse) (Cambier, Albert (1985))
- Cambier, Albert (1986) : Een paar Italiaanse lofdichten op Cypriaan De Rore uit ca. 1540., in : Annalen van de Geschied- en Oudheidkundige Kring van Ronse en het Tenement van Inde, XXXV (1986), p. 103-109 (Ronse) (Cambier, Albert (1986))
- Cambier, Albert (1991) : Komponeerde Cypriaan De Rore ook gelegenheidswerken voor zijn eigen familie of voor zijn Ronsische bakermat en achterban ?, in : Annalen van de Geschied- en Oudheidkundige Kring van Ronse en het Tenement van Inde, XL (1991), p. 9-19 (Ronse) (Cambier, Albert (1991))
- Cambier, Albert (2007) : Hoe de Herkomst van Cypriaan de Rore ontrafeld werd., in : Annalen van de Geschied- en Oudheidkundige Kring van Ronse en het Tenement van Inde, LVI (2007) (Cambier, Albert (2007))
- Edelmann, Bernd (1999) : Komposition als Vexierbild: Das Madrigal Anchor che col partire von Cipriano de Rore, in : Edelmann, Bernd - Kurth, Sabine : Festschrift Reinhold und Roswitha Schlötterer zum 70. Geburtstag, 39-46 (1999) (Edelmann, Bernd (1999))
- Einstein, Alfred (1949) : The Italian Madrigal (vertaald naar het Engels door Alexander H. Krappe, Roger H. Sessions en Oliver Strunk) (Princeton University Press, New Jersey) (Einstein, Alfred (1949))
- Feldman, Martha (1989) : Rore's 'Selva selvaggia' : The Primo Libro of 1542., in : Journal of the American Musicological Society (JAMS), 42, p. 547-603 (Feldman, Martha (1989))
- Feldman, Martha (1989) : The Composer as Exegete: Interpretations of Petrarchan Syntax in the Venetian Madrigal, in : Studi musicali, XVIII (1989), 203–238 (Feldman, Martha (1989))
- Feldman, Martha (1995) : City Culture and the Madrigal at Venice, ISBN: 0-520-08314-8 (University of California Press, Berkeley, Los Angeles, London) (Feldman, Martha (1995))
- Feldman, Martha (2000) : Authors and Anonyms: Recovering the Anonymous Subject in Cinquecento Vernacular Objects, in : Orden, Kate (Van) : Music and the Cultures of Print, 2000, 163-199 (2000) (Feldman, Martha (2000))
- Ferand, Ernest. T. (1962) : Anchor che col partire - Die schicksale eines berühmten Madrigals, in : Festschrift (für) Karl Gustav Fellerer zum 60. Gebursttag, 1962, pp. 137-154 (1962) (Ferand, Ernest. T. (1962))
- Ferrarese, Francesca - Gallo, Cristina (1990) : Il fondo musicale della biblioteca capitolare del duomo di Treviso, ISBN: 8885147224, ISBN-13: 9788885147225 (Torre d'Orfeo, Rome) (Ferrarese, Francesca - Gallo, Cristina (1990))
- Giazotto, R (1954) : Harmonici concenti in aere veneto (Rome) (Giazotto, R (1954))
- Haar, James (1965) : The note negre Madrigal, in : Journal of the American Musicological Society (JAMS), XVIII (1965), 22–41 (Haar, James (1965))
- Haar, James (1977) : False Relations and Chromaticism in Sixteenth-Century Music’, in : Journal of the American Musicological Society (JAMS), XXX (1977), 391–418 (Haar, James (1977))
- Haar, James (1983) : The “Madrigale arioso”: a Mid-Century Development in the Cinquecento Madrigal, in : Studi musicali, xii (1983), 203–19 (Haar, James (1983))
- Haar, James (1986) : Essays on Italian Poetry and Music in the Renaissance, ISBN: 0-520-05397-4 (ISBN-13: 978-0520053977) (University of California Press, Berkeley, Los Angeles, London) (Haar, James (1986))
- Haar, James (1990) : Popularity in the Sixteenth-century Madrigal: a Study of Two Instances, in : Wolf, Eugene K. - Roesner, Edward H. : Studies in Musical Sources and Styles: Essays in Honor of Jan LaRue, 191–212 (1990) (Haar, James (1990))
- Haar, James (1993) : Cipriano de Rore and the Seconda Pratica: Some Ferrarese Testimonials, in : Tuksar, S : Glazba, ideje i društvo: Svecani zbornik za Ivana Supicica / Music, Ideas, and Society: Essays in Honour of Ivan Supicic (= Muzikoloski Zbornici 2), 69–87 (1993) (Haar, James (1993))
- Harrán, Don (1973) : Rore and the Madrigale Cromatico, in : The Music Review, Vol 34 (1973) : 66-81 (Harrán, Don (1973))
- Hol, J.C. (1933) : Cipriano de Rore, in : Festschrift Karl Nef zum 60. Geburtstag, p.134–49 (1933) (Zürich, Leipzig) (Hol, J.C. (1933))
- Johnson, Alvin Harold (1953) : The Masses of Cipriano de Rore, in : Journal of the American Musicological Society (JAMS), Vol 6, 1953, p. 227-239 (Johnson, Alvin Harold (1953))
- Johnson, Alvin Harold (1954) : The Liturgical Music of Cipriano de Rore (Yale University Press) (Johnson, Alvin Harold (1954))
- Johnson, Alvin Harold (1966) : A Musical Offering to Hercules II, Duke of Ferrara, in : LaRue, J. and others : Aspects of Medieval and Renaissance Music: A Birthday Offering to Gustave Reese, p. 448–54 (1966) (Johnson, Alvin Harold (1966))
- Johnson, Alvin Harold (1980) : The 1548 editions of Cipriano de Rore' third book of madrigals., in : Studies in musicology in honor of Otto E. Albrecht, p. 110-124 (1980) (Johnson, Alvin Harold (1980))
- Kenner, F (1894) : Die Porträtsammlung des Erzherzogs Ferdinand von Tirol, in : Jahrbuch der kunsthistorischen Sammlungen des Allerhöchsten Kaiserhauses, xv (1894), 147 (Kenner, F (1894))
- La Via, Stefano (1990) : Madrigale e rapporto fra poesia e musica nella critica letteraria del cinquecento, in : Studi musicali, XIX (1990), 32–70 (La Via, Stefano (1990))
- La Via, Stefano (1991 (october)) : Cipriano De Rore as reader and as read - A Literary-Musical Study of Madrigals from Rore's Later Collections (1557-1566). (Princeton University-UMI Research Press, Ann Arbor (MI)) (La Via, Stefano (1991 (october)))
- La Via, Stefano (1994) : Il lamento di Venere abbandonata: Tiziano e Cipriano de Rore (The lament of Venus abandoned, Tiziano and Cipriano de Rore) (Libreria Musicale Italiana, Lucca) (La Via, Stefano (1994))
- Leuchtmann, Horst (1980) : Die Münchner Fürstenhochzeit von 1568. Massimo Troiano: Dialoge, ISBN: 3-87397-503-3, ISBN-13: 978-3-87397-503-3 (Leuchtmann, Horst (1980))
- Lewis, Mary S. (1981) : Antonio Gardane’s Early Connections with the Willaert Circle, in : Fenlon, Iain : Music in Medieval and Early Modern Europe: Patronage, Sources, Texts, 209-226 (1981) (Lewis, Mary S. (1981))
- Lewis, Mary S. (1985-1986) : Rore's setting of Petrarch's "Vergine bella" : a history of its composition and early transmission., in : Journal of Musicology, 4 (1985-1986), p. 365-409 (Lewis, Mary S. (1985-1986))
- Lewis, Mary S. (1988–) : Antonio Gardano, Venetian Music Printer - 1538–1569 - A Descriptive Bibliography and Historical Study (New York) (Lewis, Mary S. (1988–))
- Lloyd, Angela Jane (1997) : Ordering and Reordering in Cipriano de Rore’s 1542 and 1550 Madrigal Books, in : Muziek en Wetenschap, VI/1 (1997), 3–25 (Lloyd, Angela Jane (1997))
- Lockwood, Lewis (1992) : Text and Music in Rore's Madrigal 'Anchor Che Col Partire", in : Musical Humanism and its Legacy - Essays in Honor of Claude V. Palisca (Festschrift Series No. 11), p. 243–51 (1991) (Lockwood, Lewis (1992))
- Lowinsky, Edward E. (1967) : The Musical Avant-Garde of the Renaissance, or The Peril and Profit of Foresight, in : Singleton, Charles S. : Art, Science, and History in the Renaissance, p. 111–162 (1967) (Lowinsky, Edward E. (1967))
- Lowinsky, Edward E. (1989) : Calami sonum ferentes : A New Interpretation, in : Blackburn, Bonnie J. : Music in he Culture of the Renaissance, and other essays: Edward E. Lowinsky, p. 595-626 (1989) (Lowinsky, Edward E. (1989))
- Lowinsky, Edward E. (1989) : Cipriano de Rore's Venus Motet: Its Poetic and Pictorial Sources, in : Blackburn, Bonnie J. : Music in he Culture of the Renaissance, and other essays: Edward E. Lowinsky, p. 575-59 (1989) (Lowinsky, Edward E. (1989))
- Lowinsky, Edward E. (1989) : Rore's New Year's Gift for Albrecht V of Bavaria, in : Blackburn, Bonnie J. : Music in he Culture of the Renaissance, and other essays: Edward E. Lowinsky, p. 636-643 (1989) (Lowinsky, Edward E. (1989))
- Lowinsky, Edward E. (1989) : Two Motets and Two Madrigals for the Este Family, in : Blackburn, Bonnie J. : Music in he Culture of the Renaissance, and other essays: Edward E. Lowinsky, p. 627-635 (1989) (Lowinsky, Edward E. (1989))
- Luoma, Robert Gust (1977) : Relationships between Music and Poetry (Cipriano de Rore's “Quando signor lasciaste”), in : Musica Disciplina (MD), XXXI (1977), 135–54 (Luoma, Robert Gust (1977))
- Macey, Patrick (1994) : Frescobaldi’s Musical Tributes to Ferrara, in : Snyder, Kerala J : The Organist as Scholar: Essays in Memory of Russell Saunders, 197–231 (1994) (Macey, Patrick (1994))
- Macey, Patrick (1998) : Bonfire Songs; Savonarola's Musical Legacy (Clarendon, Oxford) (Macey, Patrick (1998))
- Meier, Bernardus (1969) : Staatskompositionen von Cyprian de Rore, in : Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 21, p 81-118 (Meier, Bernardus (1969))
- Meier, Bernardus (1970) : Rex Asiae et Ponti: Poklonitveno de lo Cypriana de Roreja’, in : Muzikoloski zbornik / Musicological Annual, VI (1970), 5–11 (Meier, Bernardus (1970))
- Meier, Bernardus (1974) : Die Tonarten der klassischen Vokalpolyphonie, ISBN: 90 313 0009 8 (Oosthoek, Scheltema en Holtema, Utrecht) (Meier, Bernardus (1974))
- Meier, Bernardus (1990) : Rhetorical Aspects of the Renaissance Modes, in : Journal of the Royal Musical Association (JRMA), CXV (1990), 183–90 (Meier, Bernardus (1990))
- Meier, Bernardus (1997) : Affektives in Komposition und Ausführung von Vokalmusik der Renaissance, in : Krones, Hartmut : Alte Musik und Musikpädagogik (= Wiener Schriften zur Stilkunde und Auffiührungspraxis I), 127-137 (1997) (Meier, Bernardus (1997))
- Miller, Jonathan Marcus (1991) : Word-sound and Musical Texture in the Mid-sixteenth-century Venetian Madrigal (Miller, Jonathan Marcus (1991))
- Mischiati, Oscar (1965) : Nota bibliografica su Cipriano de Rore, in : Chigiana, XXII (1965), 35–46 (Mischiati, Oscar (1965))
- Mischiati, Oscar (1975) : Un antologia manoscritta in partitura del secolo XVI, in : Rivista Italiana di Musicologia (RIM / RIDM), X (1975), 265–328 (Mischiati, Oscar (1975))
- Musiol, Josef (1933) : Cyprien de Rore, ein Meister der venezianische Schule (Kling, Eduard, Breslau) (Musiol, Josef (1933))
- Nevel, Paul (Van) (1985) : Vier neniae op de dood van Adriaan Willaert, in : Vlaanderen. Tijdschrift voor kunst en cultuur, 34, 1985,160-167 (Nevel, Paul (Van) (1985))
- Nuernberger, L. Dean (1963) : The Five-Voiced Madrigals of Cipriano de Rore. (University of Michigan Press ) (Nuernberger, L. Dean (1963))
- Ongaro, Guilio (1986) : The Chapel of St. Mark’s at the Time of Adrian Willaert (1527-–1562): A Documentary Study, Diss. Univ. of North Carolina at Chapel Hill (Ongaro, Guilio (1986))
- Owens, Jessie Ann (1979) : An Illuminated Manuscript of Motets of Cipriano De Rore (München, Baierische Statsbibliothek, Mus. Ms. B) - Phil. D. diss. (Princeton University Press) (Owens, Jessie Ann (1979))
- Owens, Jessie Ann (1983) : Music and Meaning in Cipriano De Rore's Setting of 'Donec gratus eram tibi', in : Music and Language - Studies in the History of Music., I, 95-117. (New York) (Owens, Jessie Ann (1983))
- Owens, Jessie Ann (1984) : The Milan Partbooks : Evidence of Cipriano de Rore's Compositional Process, in : Journal of the American Musicological Society (JAMS), 37 (1984), p. 270-298 (Owens, Jessie Ann (1984))
- Owens, Jessie Ann (1986) : Milan, Biblioteca del Conservatorio di Musica Giuseppe Verdi: the Tarasconi Codex, in : Renaissance Music in Facsimile, XI (1986) (Owens, Jessie Ann (1986))
- Owens, Jessie Ann (1990) : Mode in the Madrigals of Cipriano de Rore., in : Charteris, Richard : Altro Polo, Essays on Italian Music in the Cinquecento, p. 1-16 (1989) (Owens, Jessie Ann (1990))
- Owens, Jessie Ann (1997) : Composers at Work - The Craft of Musical Composition (1450-1600), ISBN: 0-19-509577-4 (Oxford University Press, New York) (Owens, Jessie Ann (1997))
- Owens, Jessie Ann (1997) : How Josquin Became Josquin: Reflections on Historiography and Reception, in : Owens, Jessie Ann - Cummings, Anthony M. : Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, 271–9 (1997) (Owens, Jessie Ann (1997))
- Owens, Jessie Ann (2001) : Cipriano De Rore (The New Grove), in : Grove Dictionary of Music and Musicians, The New -, (NG), Second Edition (published in twenty-nine volumes in the year 2001), Edited by Stanley Sadie, Executive Editor John Tyrell, (2001) (Owens, Jessie Ann (2001))
- Owens, Jessie Ann (2004) : A Collaborarion between Cipriano de Rore and Baldissera Donato?, in : Crist, Stephen A. - Marvin, Roberta Montemorra : Historical Musicology: Sources, Methods, Interpretations, (2004) (Owens, Jessie Ann (2004))
- Owens, Jessie Ann (2004) : Cipriano de Rore's New Year's Gift for Albrecht V: a New Interpretation, in : Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext. Bericht über das internationale Symposium der Musikhistorischen Kommission der Bayerischen Akademie der Wissenschaften in Verbindung mit der Gesellschaft für Bayerische Musikg ..., 2004, 30 p. (2004, August 2-4) (Owens, Jessie Ann (2004))
- Palisca, Claude V. (1961) : Scientific Empiricism in Musical Thought, in : Rhys, Hedley Howell : Seventeenth Century Science and the Arts, p 91-137 (1961) (Palisca, Claude V. (1961))
- Palisca, Claude V. (1990) : Mode Ethos in the Renaissance, in : Lockwood, Lewis - Roesner, Edward H. : Essays in Musicology: a Tribute to Alvin Johnson, 126–39 (1990) (Palisca, Claude V. (1990))
- Piperno, Franco (1997) : Guidubaldo II Della Rovere, la musica e il mondo: lo studio della committenza musicale e il caso del ducato di Urbino, in : Il Saggiatore musicale, IV (1997), 249–70 (Piperno, Franco (1997))
- Powers, H. (1981) : Tonal Types and Modal Categories in Renaissance Polyphony, in : Journal of the American Musicological Society (JAMS), 34 (1981), p. 428-470 (Powers, H. (1981))
- Powers, H. (1989) : Monteverdi’s Model for a Multimodal Madrigal, in : Seta, Fabrizio (della) - Piperno, Franco : In cantu et in sermone: for Nino Pirrotta on his 80th birthday, 185–219 (1989) (Powers, H. (1989))
- Rempp, Frieder (1980) : Die Kontrapunkttraktate Vincenzo Galileis (Rempp, Frieder (1980))
- Rossi, Umberto (1888) : Sei lettere di Cipriano de Rore, con cenni biografici (Reggio [nell'Emilia]) (Rossi, Umberto (1888))
- Schick, Hartmut (1998) : Musikalische Einheit im Madrigal von Rore bis Monteverdi, ISBN: 3_7952-0926-9 (Verlegt bei Hans Schneider, Tutzing) (Schick, Hartmut (1998))
- Schiltz, Katelijne (1993) : Vulgare Orecchie - Purgate Orecchie - De relatie tussen publiek en muziek in het Venetiaanse motetoeuvre van Adriaan Willaert, ISBN: 90 5867 328 6 (Universitaire Pers, Leuven , Leuven) (Schiltz, Katelijne (1993))
- Schiltz, Katelijne (2003) : Giunto Adrian fra l'anime beate: une quintuple déploration sur la mort d'Adrien Willaert, in : Musurgia, Analyse et Pratique Musicales (Revue trimestrielle d'analyse et de théorie musicale), 10, 2003, 7-33 (Schiltz, Katelijne (2003))
- Schiltz, Katelijne (2005) : Harmonicos magis ac suaves nemo edidit unquam cantus. Cipriano de Rores Motette 'Concordes adhibete animos'., in : Archiv für Musikwissenschaft (AfMw), vol:62 (2005), issue:2 pages:111-136 (Schiltz, Katelijne (2005))
- Schmitz, Arnold (1955) : Oberitalienische Figuralpassionen des 16. Jahrhunderts, in : Musikalische Denkmaler, I (Mainz, 1955/R). (Schott's SöÌhne) (Schmitz, Arnold (1955))
- Senn, W (1954) : Musik und Theater am Hof zu Innsbruck. Geschichte der Hofkapelle vom 15. Jh. bis zu deren Auflösung im Jahre 1748, unter Verwertung von Vorarbeiten Lambert Streiters, (Oesterreichische Verlagsanstalt, Innsbruck) (Senn, W (1954))
- Straeten, Edmond (vander) (1867-1882) : La Musique aux Pays-Bas avant le XIXe siècle - Documents Inédits et Annotés. (8 Bde) (Brussel) (Straeten, Edmond (vander) (1867-1882))
- Stras, Laurie (1999) : Recording Tarquinia: Imitation, Parody and Reportage in Ingegneri's “Hor che 'l ciel e la terra e 'l vento tacce”, in : Early Music (EM), 27, 1999, 358-377 (Stras, Laurie (1999))
- Tarrini, Maurizio (1985) : Una gara musicale a Genova nel 1555, in : Note d'archivio per la storia musicale, III (1985), 159–70 (Tarrini, Maurizio (1985))
- Tomlinson, Gary (1987) : Monteverdi and the End of the Renaissance, ISBN: 0 19 315151 0 (Clarendon Press Oxford) (Tomlinson, Gary (1987))
- Vettori, Romano (1985) : Note storiche sul patronato musicale di Cristoforo Madruzzo Cardinale di Trento, in : Rivista Italiana di Musicologia (RIM / RIDM), XX (1985), 3–43 (Vettori, Romano (1985))
- Vettori, Romano (1994) : Musiche per i Principi Vescovi: la corte del Clesio e dei Madruzzo, in : Dalmonte, Rossana : Musica e societa nella storia trentina, 241-279 (1994) (Vettori, Romano (1994))
- Waisman, Leonardo Julio (1988) : The Ferrarese Madrigal in the mid-sixteenth century. Dissertation (University of Chicago Press, The, Chicago) (Waisman, Leonardo Julio (1988))
- Weyler, Walter (1939) : Documenten betreffende de muziekkapel aan het hof van Ferrara, in : Vlaams jaarboek voor muziekgeschiedenis, 1 (1939), pp. 81-96 (Weyler, Walter (1939))
- Weyler, Walter (1942) : De teksten van de Rore's madrigalen, in : Vlaams jaarboek voor muziekgeschiedenis, 4 (1942), pp. 165-175 (Weyler, Walter (1942))
- Weyler, Walter (1965) : Cipriano de Rore: Omnium musicorum princeps, in : Jonge muziek, nos.1–3 (1965), 1–8, 56–61, 99–109 (Weyler, Walter (1965))
- Wiering, Frans (2001) : The language of the modes: Studies in the History of Polyphonic Modality (Criticism and Analysis of Early Music), ISBN: 0815333420 (ISBN-13: 978-0815333425) (Routledge) (Wiering, Frans (2001))

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