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De muziek van Cypriaan De Rore

In die tribultionis meae


A. Type: Motet
B. Aantal stemmen: 5vv
Ct. Tekst: : Lezen


E. Te vinden in de muziekbundel(s):

volgens: _Onderzoek van de bron (internet) door Arnold Loose en/of Wim Daeleman (2016) :
- 1550 (ca.) : BSB Mus.ms. 16 (ca.1550) : 'BSB Mus.ms. 16 (ca.1550)'

volgens: Collins Judd, Cristle (2000) :
- 1560, circa ) (source: OwensM) : {Census} - ModE C.314 : '{Census} - ModE C.314'

volgens: Lewis, Mary S. (1988) :
- 1544 : {Lewis_1} - 56 : 'RORE. MOT. A 5 LIB. I'

volgens: Meier, Bernardus (1959) :
- 1544 : {RISM} - 1544_06 : 'Cipriani musici eccelentissimi cum quibusdam aliis doctis authoribus motectorum nunc primum maxima diligentia in lucem exeuntem Liber primus quinque vocum.'


F. Moderne partituur:

See 'Meier, Bernardus : Cipriani Rore Opera Omnia, Vol I : Motets' : p.19

  • Inhoud van dit volume van Meier
  • American Institute of Musicology : Uitgave De Rore (B. Meier)


    I. Incipit: M_1_19.jpg Bron : 'Meier, Bernardus : Cipriani Rore Opera Omnia', American Institute of Musicology


    L. Referenties:

    Referenties met citaat/commentaar:

    1 : Meier, Bernardus, Cipriani Rore Opera Omnia, Vol I : Motets (American Institute of Musicology (AIM), 1959)
    - p.V : 'It is also noteworthy that in some cases dissonances (suspensions of 6 5 or 6/4 5/3 , related in each case to the really lowest voice) are used in the sense of affective symbolism, as for example in Angustiae mihi sunt undique (bars 61-64: falsum testimonium, and 81f.: malitiose), Domine quis habitabit (bars 49-51: malum), In die tribulationis meae (bars 36f., 38f.: prae ladirimis), Levavi oculos meos (bars 94f.: ab omni malo), Quanti mercenarii (bars 20-27: Ego autem hic fame pereo) and Tribularer, si nescirem (bars 73f.: dolorum meorum). With this use of dissonances Rore apparently follows the steps of his teacher Willaert, whose motets too contain passages of this kind, when the text suggests such a procedure.'


    Pagina laatst bewerkt : 19/05/2016 12:16:14
    Eigen code : #6247 (M_1_19)