The music of Cipriano De Rore

Ne l'aria in questi dì fatt'ho un sì forte

A. Type: Madrigaal
B. Number of voices: 4vv
Ct. Text: (with translation in English) : Read
D. Possibly not of De Rore

E. To be found in the following score sources:

following: CMME Project(The) - Dumitrescu (e.a.), Theodor :
- {Census} - ParisBNC 851 ("Bourdeney Manuscript") : '{Census} - ParisBNC 851 ("Bourdeney Manuscript")'

following: Meier, Bernardus (1971) :
- 1568 : {RISM} - 1568_13 : 'Gli Amorosi Concenti primo libro delli madrigali de diversi eccelentissimi musici a quattro voci, con un dialog a otto . . . Di novo posti in luce per Giulio Bonagionta da S. Genesi.'

following: Vogel, Emil (1892 (2de uitg., 1977)) :
- 1575 : {Vogel} - 50c : '(1575) TENORE | Dl CIPRIANO ET ANNIBALE | MADRIGALI A QVATTRO VOCI . . . (wie 50b, 1566) NVOVAMENTE | Con nuoua Gionta Ristampati. j CON PRI-VILEGGIO. | AQVATRO (Drz) VOCI | In Venetia Appresso li Figliuoli | di Antonio Gardano. | 1575.'
- 1577 : {Vogel} - 54 : '(1577) TVTTI I MADRIGALI | DI CIPRIANO DI RORE | A QVATTRO VOCI, | SPARTITI ET ACCOMMODATI PER | sonar d'ogni sorte d'Instrumento perfetto, & per Qualunque studioso di Contrapunti (!). | Nouamente posti alle stampe. | (Drz) | In Venetia Apresso di Angelo Gardano. | 1577.'

F. Modern score:

See 'Meier, Bernardus : Cipriani Rore Opera Omnia, Vol V : Madrigali 3-8 vocum' : p.26

  • Contents of this volume of Meier
  • American Institute of Musicology : Uitgave De Rore (B. Meier)

    I. Incipit: M_5_26.jpg Source: 'Meier, Bernardus : Cipriani Rore Opera Omnia', American Institute of Musicology

    J. Discography:

    1 - ' Cornelis de Bondt: Bloed , Nederlands Blazers Ensemble, The Hilliard Ensemble (-)
    2 - ' O Bene Mio , Roeselaars Kamerkoor, Hans Van Daele (Eigen beheer)

    L. References:

    References with citation/remark:

    1 : Owens, Jessie Ann, Margaret of Austria and Cipriano de Rore (MedRen 2022) (, 2022) : Owens: "In short, this piece does not fit the profile of late Cipriano. . ; . .I propose to remove Ne l’aria in questi di both from the list of pieces for the Farnese and from the list of Cipriano’s authentic works." This deduced J.A.owens from a set of characteristics of De Rore’s late style by Anthony Newcomb (named by him as a 'compendium'). This besides another argument based on chronological facts: "Persoens started in Farnese service in 1563 and could easily have composed it in 1565, perhaps giving a copy of his setting to Cipriano for comments." (J.A.Owens)

    2 : Einstein, Alfred, The Italian Madrigal (vertaald naar het Engels door Alexander H. Krappe, Roger H. Sessions en Oliver Strunk) (Princeton University Press, New Jersey, 1949)
    - p.418 : 'Another piece published shortly after Rore's death by Giulio Bonagionta (Gli amorosi concenti, 1568, not mentioned by Vogel) is a sonnet developing a comparison: Ne l'aria in questi di . . . [volledige tekst van het gedicht]. It is durchkomponiert, set at one breath without any attempt at harmonie or linear tone-painting, but with an incredible energy of declamation - one of the great masterpieces of madrigal literature. It was not reprinted until 1575. '

    References without citation:

    3 : Meier, Bernardus, Cipriani Rore Opera Omnia, Vol V : Madrigali 3-8 vocum (American Institute of Musicology (AIM), 1971)
    - p.XVI

    4 : Owens, Jessie Ann, Margaret of Austria and Cipriano de Rore (MedRen 2022) (, 2022)

    Page last updated : 15/12/2022 17:45:03
    My code : #5789 (M_5_26)