The music of Cipriano De Rore

Quis tuos presul (2p Quin tenes legum)

A. Type: Madrigaal
B. Number of voices: 6vv
Ct. Text: (with translation in Dutch English) : Read

E. To be found in the following score sources:

following: Bernstein, Jane A. (1998) :
- 1544 : {Bernstein} - 40 : 'Doni, Dialogo della musica'

following: Meier, Bernardus (1975) :
- 1544 : {RISM} - 1544_22 : 'Dialogo della musica di M Antonfranceso Doni fiorentino.'

F. Modern score:

See 'Meier, Bernardus : Cipriani Rore Opera Omnia, Vol VI : Motets' : p.176

  • Contents of this volume of Meier
  • American Institute of Musicology : Uitgave De Rore (B. Meier)

    I. Incipit: M_6_176.jpg Source: 'Meier, Bernardus : Cipriani Rore Opera Omnia', American Institute of Musicology

    J. Discography:

    1 - ' Musica per Cardinali (1542-1592) - parte prima (Il Suono del Concilio, vol. 3) , Vox Hesperia, Ensemble Strumentale dell'Academia di Musica Antica, Romano Vettori (Bongiovanni)

    L. References:

    References with citation/remark:

    1 : Owens, Jessie Ann, Cipriano De Rore (The New Grove) (, 2001)
    in : Grove Dictionary of Music and Musicians, The New -, (NG), Second Edition (published in twenty-nine volumes in the year 2001), Edited by Stanley Sadie, Executive Editor John Tyrell, (2001) : 'De Rore seems to have sought employment at an Italian court, probably in the early 1540s. His secular motet for Cardinal Ippolito II d’Este, O qui populos, contains the plea ‘Cypriam gentem suscipe quaeso’. He also had connections with Guidubaldo della Rovere, Duke of Urbino, for whom he composed Cantiamo lieti and with Cristoforo Madruzzo, Cardinal of Trent, dedicatee of Quis tuos presul. From this period dates the six-voice motet on the text of the prodigal son newly appreciative of his father’s generosity, Nunc cognovi, Domine; addressed to an unknown patron, this piece has the witty ostinato ‘Fac me sicut unum ex mercenariis tuis’.'

    References without citation:

    2 : Meier, Bernardus, Cipriani Rore Opera Omnia, Vol VI : Motets (American Institute of Musicology (AIM), 1975)
    - p.XI

    3 : Haar, James, The Science and Art of Renaissance Music (Princeton University Press, Princeton, New Jersey, 1998) , ISBN: 0-691-02874-5
    - p.281

    4 : Schiltz, Katelijne, Vulgare Orecchie - Purgate Orecchie - De relatie tussen publiek en muziek in het Venetiaanse motetoeuvre van Adriaan Willaert (Universitaire Pers, Leuven , Leuven, 1993) , ISBN: 90 5867 328 6
    - p.53

    Page last updated : 30/10/2019 13:31:01
    My code : #6316 (M_6_176)