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De muziek van Cypriaan De Rore

Descendi in hortum meum

A. Type: Motet
B. Aantal stemmen: 8vv
C. Tekstdichter: Horatius, Quintus Flaccus
Ct. Tekst: : Lezen

E. Te vinden in de muziekbundel(s):

volgens: CMME Project(The) - Dumitrescu (e.a.), Theodor :
- {Census} - ParisBNC 851 ("Bourdeney Manuscript") : '{Census} - ParisBNC 851 ("Bourdeney Manuscript")'

volgens: Collins Judd, Cristle (2000) :
- 1560, circa ) (source: OwensM) : {Census} - ModE C.314 : '{Census} - ModE C.314'

volgens: Meier, Bernardus (1975) :
- 1559 : BSB Mus.ms. B(1 (1559) : 'BSB Mus.ms. B(1 (1559)'

F. Moderne partituur:

See 'Meier, Bernardus : Cipriani Rore Opera Omnia, Vol VI : Motets' : p.1

  • Inhoud van dit volume van Meier
  • American Institute of Musicology : Uitgave De Rore (B. Meier)

    I. Incipit: M_6_1.jpg Bron : 'Meier, Bernardus : Cipriani Rore Opera Omnia', American Institute of Musicology

    J. Discografie:

    1 - ' Cipriano de Rore : Missa Praeter Rerum Seriem (Tallis Scholars, 1994) , The Tallis Scholars, Peter Philips (Gimell)
    2 - ' Cipriano de Rore : Missa Praeter Rerum Seriem (The Tallis Scholars, 2001) , The Tallis Scholars, Peter Philips (Gimell)
    3 - ' Cipriano de Rore : Motets Sacres et Profanes (Weser Renaissance) , Weser Renaissance, Manfred Cordes (CPO)
    4 - ' Essential Tallis Scholars (The) ' : [originele uitgave op CD : Cipriano de Rore : Missa Praeter Rerum Seriem (Tallis Scholars, 1994)] , The Tallis Scholars, Peter Philips (Gimell)
    5 - ' Sacred and Profane Love , King Solomon's Singers (Eigen beheer (?))
    6 - ' Tallis Scholars 25th Anniversary ' : [originele uitgave op CD : Cipriano de Rore : Missa Praeter Rerum Seriem (Tallis Scholars, 1994)] , The Tallis Scholars, Peter Philips (Gimell)

    L. Referenties:

    Referenties met citaat/commentaar:

    1 : Owens, Jessie Ann, Cipriano De Rore (The New Grove) (, 2001)
    in : Grove Dictionary of Music and Musicians, The New -, (NG), Second Edition (published in twenty-nine volumes in the year 2001), Edited by Stanley Sadie, Executive Editor John Tyrell, (2001) : 'As in his madrigals, de Rore’s preferred ensemble was for five voices, the majority of which employ low clefs or low equal voices. The six- and seven-voice pieces are the special, large-scale antiphon settings employing two or three voices in canon that frame the Munich manuscript: Descendi at the beginning, Hodie Christus natus es, Ave regina caelorum, and Quem vidistis at the end.'

    Pagina laatst bewerkt : 30/06/2022 20:08:41
    Eigen code : #5870 (M_6_1)